Deel van fries op schouw in Vroedschapskamer van het Stadhuis op de Dam 1663

Hubert Quellinus created this drawing, "Deel van fries op schouw in Vroedschapskamer van het Stadhuis op de Dam," using pen in brown and gray ink, over black chalk. The composition flows horizontally, featuring a procession of figures. Note the formal arrangement and the way Quellinus orchestrates each element. We see a bear constrained by a chain, an allegorical Cupid who is breaking this chain, and the owl of Minerva, all rendered with precise, flowing lines. The texture varies from the smooth skin of Cupid to the fur of the bear, adding depth. These are not merely decorations, but symbols within a complex visual language. The bear might represent brute strength, while Cupid embodies liberation through intellect. The owl—Minerva's attribute—is a symbol of wisdom, which adds layers to the reading of the entire frieze. Ultimately, this drawing functions as a cultural artifact, reflecting how the 17th century understood power, knowledge, and freedom. It invites us to consider the interplay between form and meaning, revealing the ways in which visual elements convey complex ideas.