Eksters 1839

This pencil drawing of magpies was made by Johannes Tavenraat in 1829. It depicts several of these birds in different poses, some seemingly lifeless. Birds, as symbols, are ancient messengers bridging the earthly and spiritual realms. But the magpie, with its striking black and white plumage, often carries a dual symbolism. In some cultures, it's a harbinger of good fortune, while in others, it's associated with bad luck or even theft. Consider how birds appear in ancient Egyptian art, conveying souls to the afterlife. Observe too, their contrasting depiction as omens in medieval tapestries. Here, the magpies seem vulnerable, their symbolic power diminished, reflecting a shift towards a more naturalistic observation of the world. This cyclical dance—from sacred symbol to mere creature—reveals the complex interplay between cultural memory and the ever-changing human experience. The emotional power of these images lies in our subconscious connection to nature.