[title not known] 

Curator: This etching by Francis Barlow, dating back to the 17th century, presents a study of turkeys. Editor: It feels quite immediate, almost documentary, despite the controlled medium. You can almost feel the scratch of the needle on the plate. Curator: Indeed, the textures achieved through the etching technique are remarkable, rendering the plumage with impressive detail. Note the composition, how the artist balances the forms and uses light and shadow. Editor: I am drawn to the materiality of the printmaking process itself. What kind of labour was involved in creating multiples of this image? Consider the social function of something like this. Curator: Perhaps it served as a model for other artists, a study in animal form and perspective. The lines, though simple, create a dynamic sense of movement. Editor: Ultimately, the artist's means of production and how it relates to the wider culture of consumption is, for me, the core interest here. Curator: Well, I appreciate how this piece reveals the principles of visual representation at play in the artist's time. Editor: And I'm left pondering the broader conditions that allowed the art to come into being.