Très Parisien, 1927, No. 11 : 14.- COTE D'AZUR.- Deux-pièces (...) 1927

This fashion plate, made in 1927, is one of a series from an unknown artist, printed on paper. It’s an image that thrives on process. The artist lays down a foundation of flat colour, then adds details in thin, economical lines. Look at how the artist defines the dresses. The colours are muted, almost pastel, which gives a sense of softness and sophistication, a contrast to the angular lines of the dresses. The dark lines create a frame, which emphasizes the colours within. It’s not so much about realism, as about creating a mood. The way the artist used lines, you can almost feel the texture of the fabric, even though it's just on paper. It’s an ongoing conversation, between the artist, the materials, and us. Much like the way Sonia Delaunay used colour and form to create her textiles, this feels like an exploration of art as a space for experimentation and play. This piece shows us there is always room for surprise and unexpected beauty.