Portret van Frans Hals met een hoed by Cornelis van Noorde

Portret van Frans Hals met een hoed 1767

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print, etching, engraving

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portrait

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dutch-golden-age

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print

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etching

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charcoal drawing

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engraving

Dimensions: height 125 mm, width 104 mm

Copyright: Rijks Museum: Open Domain

Curator: Cornelis van Noorde created this print, an etching and engraving, in 1767. The piece is called "Portret van Frans Hals met een hoed," so a portrait of Frans Hals with a hat. Editor: My first thought is of shadow. Everything feels muted, like a memory recalled through a haze. The man’s expression feels somewhat guarded, even weary. Curator: I find that fascinating because Noorde was working well after Hals's death, so this is already a copy of an image. Consider how the formal elements of etching and engraving contribute to that sense of distance. Look at the layering of lines to build tonal depth; it creates that veiled effect. Editor: Exactly! And the lack of stark contrast, that continuous tone gives it such a melancholy feel. Do you think the artistic distance—that Noorde wasn’t working from life—affects our reading of Hals's own personality? It's a copy of an image of a feeling, layered down to almost nothing! Curator: The composition directs the viewer to the sitter's face, illuminated against a dark background. The hat creates a frame, drawing us inward, in a very careful attempt to deliver some likeness of Hals. But the artistic style undeniably shapes our perception. Noorde uses a range of hatching techniques to describe texture and form. It would almost be impossible to see the person beyond it! Editor: Right, we’re looking at a re-interpretation of genius, filtered through another sensibility. But perhaps it allows us a glimpse not just of Hals but of how Hals was *remembered*, of what endured as important or essential about the man himself, beyond just a representation. Curator: An excellent point! The technical skill deployed here serves to preserve the memory, offering insight into 18th-century perceptions of a Dutch Golden Age master. The emotional distance, in your reading, and the physical distance in time, shape a lasting dialogue. Editor: Yes, it's like echoes bouncing off echoes. For me, this print, beyond being a formal portrait, becomes a meditation on artistic legacy itself.

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