Dimensions: support: 239 x 312 mm
Copyright: © Tate | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This is Cecil Collins' "Landscape: Nocturne," held here at the Tate. Editor: It has such a melancholic beauty, doesn't it? The monochromatic palette really sets a somber tone. Curator: Collins’s work often explores universal themes through a personal symbolic language, drawing inspiration from romanticism and spiritualism. His engagement with the "Eternal Wisdom" is a key. Editor: The way the figure is integrated into the landscape suggests a deep connection between the human and natural realms, maybe echoing societal shifts toward eco-consciousness. Curator: Precisely. The formal composition, with its horizontal emphasis and muted coloration, emphasizes the idea of inner reflection, a key theme in Collins's later work. Editor: It leaves me pondering our place in the world. Curator: Indeed. A work like this encourages contemplation on a personal level.
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http://www.tate.org.uk/art/artworks/collins-landscape-nocturne-t07832
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This unusual image depicts a huge head sitting upright like a sphinx in an imaginary landscape setting. The detail with which the head has been drawn contrasts with the sweeping brush strokes used to paint the earthly coloured landscape and vast expanse of sky. The isolated head was a recurring feature in Collins’s paintings and prints from the 1930s. Two pictures which date from the 1940s, The Island (Tate P01898) and Landscape with Heads (Tate T01905), are similar in the placement of heads detached from their bodies in the natural setting which surrounds them.
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