Seated Figure: "Liberty" by Elizabeth Moutal

Seated Figure: "Liberty" c. 1938

drawing, watercolor

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portrait

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drawing

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figuration

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watercolor

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portrait drawing

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watercolour illustration

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watercolor

Curator: Here we have Elizabeth Moutal’s "Seated Figure: 'Liberty'", created around 1938, using watercolor and drawing techniques. What are your first thoughts? Editor: My initial impression is one of… odd serenity. There’s a strange combination of folk art charm and unsettling formality in this depiction. The muted colors contribute to this muted feeling, which somewhat dulls the impact of “Liberty.” Curator: I agree that Moutal’s muted palette affects one's interpretation of the classical symbol of liberty. Notice the layering of watercolor washes, building depth and texture despite the relatively limited tonal range. It begs the question of her choices. Was it a critique or a stylistic leaning? Editor: A critical examination seems quite plausible. The timing is crucial, of course. Created in the late 1930s, against the backdrop of global political instability and rising totalitarianism. "Liberty" seems almost naive in its presentation. Is this about challenging prevailing representations of the nation, and if so what statement is Moutal looking to express? Curator: Interesting questions! Looking at the piece structurally, consider the composition: the figure is frontally presented, statuesque even, with carefully rendered details. However, it's mounted above the “United States of America”. Editor: It's as though she’s asking whether the promise of liberty aligns with the lived reality, particularly during the depression era, and also a period during which women were largely disenfranchised. Curator: Absolutely. The very deliberate art style with which Moutal renders this composition indicates that she perhaps intended on conveying these conflicting cultural anxieties, Editor: Her method, layering history and materiality provides much to examine, in addition to provoking questions about social commentary through art. Curator: I agree; Moutal has presented a fascinating challenge for interpretation through her carefully chosen medium and compositional approach. Editor: It's a complex, quiet piece. The details offer insight on themes of historical representation and social commentary.

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