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Editor: This is Pieter Tanjé's portrait of "Charles XII, King of Sweden." It's a print, and the detail is incredible. The king seems rather contemplative. What do you see in how this image was presented to the public? Curator: Consider the context: printed portraits like these circulated widely, shaping public perception. Tanjé's Charles isn't presented as a powerful conqueror, but as a more approachable, even vulnerable figure. This challenges the traditional image of monarchy. What effect might this have on viewers? Editor: It makes him seem more human, less like an untouchable ruler. Almost like propaganda of approachability. Curator: Precisely! It is a calculated effort to connect with the populace. The portrait flattens social distance, making power appear less absolute. Editor: That reframing is fascinating. I hadn't considered the political implications of portraiture in that way before. Curator: These images are not just records, but active participants in shaping political and social realities. Something to keep in mind.
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