Frances Abington as "Thalia" 18th-19th century

Editor: This is Richard Cosway's sketch "Frances Abington as 'Thalia'". I’m struck by the theatricality of it, how she presents herself almost as a sculpture come to life. What do you see in this piece beyond a simple portrait? Curator: I see Cosway engaging with the complex performance of identity in the 18th century. Abington, a celebrated comedic actress, is depicted as Thalia, the muse of comedy. How does this portrayal reinforce or challenge the limited roles available to women, particularly actresses, at the time? Editor: It makes me wonder, was she actively participating in crafting her own image? Curator: Absolutely. Abington, through Cosway's rendering, actively crafts a persona that blends societal expectations with her own aspirations, blurring the lines between her professional and personal identities. Reflect on how this performance of selfhood resonates with contemporary discussions of identity and representation. Editor: So it is not just a portrait, but a statement on the role of women in society. Curator: Precisely, it pushes us to consider the power dynamics inherent in representation and the agency of the sitter.