Portret van Frans Burman (II) 1747

Jacob Folkema created this portrait of Frans Burman II using engraving techniques. The most prominent symbol here is Burman’s clerical collar, a visual marker signifying his role as a clergyman. This collar, simple in its form, connects back to earlier religious vestments. Think of the stoles worn by priests in ancient Roman rituals, which evolved into the liturgical vestments of the Christian clergy. The white color itself is significant. Throughout history, white has been associated with purity, divinity, and spiritual enlightenment, from the togas of Roman priests to the white robes of biblical figures. The gesture of Burman’s hand, slightly raised, also echoes across centuries, resembling the gestures of blessing seen in countless religious artworks. These symbolic gestures are more than mere conventions; they are powerful forces engaging us on a deep, subconscious level. The collar and the hand gesture remind us of the cyclical progression of symbols, how they resurface and evolve, taking on new meanings in different contexts.