Portret van Carolus Boers 1782 - 1784

Editor: This is a rather formal portrait of Carolus Boers, completed between 1782 and 1784 by Pieter de Mare. It's an engraving. The meticulous details almost give it a photographic feel. What strikes you about the composition? Curator: The interplay of light and shadow across the surface is masterful. Note how the engraver modulated the density and direction of the lines to render the sitter's voluminous wig and the heavy folds of his robe. Editor: It's quite monochromatic; the lines define almost everything. Curator: Precisely. Consider how the artist deploys hatching and cross-hatching to construct three-dimensional form on a two-dimensional plane. Where do you see the densest concentration of lines, and how does that inform the reading of the image? Editor: The densest areas appear to be around the edges of his coat and in the shadows beneath his chin, creating depth and volume. But how can an artwork be expressive while being completely devoid of colour? Curator: Observe how de Mare uses the varying textures of lines – their weight, direction, and density – to imply tonal gradations and surface qualities. Does that add to the visual appeal? Editor: It's starting to. Now I appreciate the strategic arrangement and the variations of lines creating areas of light and dark to show texture. I also observe that the absence of colour in itself adds to its appeal and expressiveness. Curator: Exactly! It's about appreciating the mastery of form through line alone. Editor: I am indeed beginning to see things differently; this was very helpful, thank you!