Alaska 2010

Curator: Richard Ross, a photographer known for documenting youth in various social contexts, created this work, titled “Alaska,” in 2010. Editor: There's such palpable tension in this portrait. The downturned gaze, the clasped hands… It feels heavy, laden with something unspoken. Curator: Indeed. Ross often captured the vulnerability of his subjects. Here, the use of natural lighting accentuates the textures—the softness of the hair contrasting with the stark background, creating a rather stark study in emotional constraint, don't you think? Editor: Absolutely. The composition is carefully constructed. That vast expanse of cool, muted wall colour dominating the upper third isolates the figure. How does the title play into your reading of this piece? Curator: "Alaska" might allude to a feeling of emotional remoteness or perhaps physical isolation, key themes in Ross’ work when depicting adolescents within societal constructs. The gray shirt, in itself, is almost a visual representation of indifference, of blending in while battling internal conflicts. Editor: The muted palette reinforces that detachment you mention. It’s a somber representation, really. I find it powerful how Ross prompts this interrogation of the young female subject against broader backdrops of place, power, and anonymity. Do you see a kind of passive critique emerging from such portrayals? Curator: Ross had an explicit social critique: he wanted viewers to be sensitized towards these realities. The simplicity with which Ross photographs these children should, to that end, only intensify the experience. What does the self portrait tell us about this practice? Editor: Perhaps Ross identifies with feelings of vulnerability which are then expressed within the subject, giving more layers to both his methodology and emotional investment. Curator: Precisely. An excellent way of understanding "Alaska" in relation to a broad scope. Editor: It really brings to mind issues of accessibility and social responsibility for youth today. A work that invites a second viewing and a good long think, that is for sure.