Ōtani Hiroji III as Tosa no Matabei 1794

Curator: Here we have a striking woodblock print by Tōshūsai Sharaku, created around 1794. It’s titled "Ōtani Hiroji III as Tosa no Matabei." What are your immediate thoughts? Editor: Intriguing! My first impression is one of barely contained energy. The figure seems about to spring right out of the print. There’s tension in his pose and an unsettling power to his gaze. Curator: Absolutely. Sharaku was a master of capturing the essence of Kabuki actors. This particular print showcases Ōtani Hiroji III, a popular actor, portraying the role of Tosa no Matabei, a painter and warrior, who in this context is a villain, known for being quick-tempered and sinister. It's incredible how Sharaku captured the dramatic tension inherent in Kabuki theater. Editor: It’s the hands, isn’t it? Those gripping, claw-like fingers and the poised katana make him appear ready to strike. It also brings to mind some interesting thoughts about Japanese culture in relation to these menacing attributes! There is a real psychological depth, something beyond mere representation. Curator: Indeed. He manages to hint at not just his emotions, but also to portray Japanese caricature and what was allowed during the Edo period within the arts. And then there's the robe—a green outer garment featuring a subtle drop pattern, the red-and-white striped undergarment and the round emblem on the shoulders – elements that adds both visual interest and hints at the character’s persona and background. There's a level of observation here that reveals Sharaku's unique artistic ability. Editor: The pattern is actually quite gentle, when you separate it from his scowl, almost playful. Do you think this suggests Sharaku wants us to think there is room for good in this menacing person? Curator: I like the question, and how Sharaku subverts our expectations; It’s an invitation to see beyond the obvious villain. A potent reminder that even in dramatic narratives, there is almost always nuance to the people in them. Editor: Yes, and with this thoughtful invitation from you to his complex perspective, I notice that it's time to move on! I am excited to ponder how others will receive Sharaku's work today.