Elegantia, of tijdschrift van mode, luxe en smaak voor dames, Juni 1809, No. 81: Chapeau de Paille... by Anonymous

Elegantia, of tijdschrift van mode, luxe en smaak voor dames, Juni 1809, No. 81: Chapeau de Paille... 1809

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drawing, print, etching, paper, ink

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portrait

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drawing

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print

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etching

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paper

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ink

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romanticism

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watercolour illustration

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genre-painting

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miniature

Dimensions: height 220 mm, width 126 mm

Copyright: Rijks Museum: Open Domain

Editor: This is a fascinating print! Titled "Elegantia, of tijdschrift van mode, luxe en smaak voor dames," from June 1809. It’s a combination of etching and ink on paper. What I immediately notice is the focus on the figure, yet there’s a flatness, like a paper doll showcasing an ideal. What do you see in this work? Curator: This print speaks volumes about the societal constraints placed upon women of the era. Consider the title itself – elegance, luxury, taste, all directed ‘for ladies’. It presents a prescriptive image, dictating how women should perform their gender. What does this carefully constructed image suggest to you about the role of women in 1809? Editor: It’s like a manual for being a woman, focusing on external appearance and status. The way she carries herself feels very deliberate. Curator: Exactly! This 'genre painting,' though miniature and seemingly innocuous, participates in a broader narrative about class, aspiration, and the performative aspects of femininity. Notice the high-waisted dress, the delicate shawl - all signifiers of wealth and social standing, yes? And whose standards are being used to determine status? Editor: It's intriguing how something so seemingly simple reflects complex social structures. Do you think the artist was aware of these deeper implications, or were they simply capturing the style of the time? Curator: Perhaps both! But even in ‘capturing the style’, they were reinforcing a particular worldview. By reproducing and circulating these images, publications like "Elegantia" actively shaped contemporary ideals of femininity, with potentially exclusionary results along lines of class and race. The very act of representation becomes a political one. What implications might the consumption of such images have? Editor: It’s made me think about the power dynamics inherent in fashion and representation. Thanks for showing me a different lens to analyze through. Curator: Indeed! Looking at fashion through a historical and social lens lets us question who dictates trends and why. There's a continuing dialogue about beauty standards and inclusivity across art history and contemporary times.

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