Prof. Krzysztof Meissner and Sir Roger Penrose working on Conformal Cyclic Cosmology by Iwo Zaniewski

Prof. Krzysztof Meissner and Sir Roger Penrose working on Conformal Cyclic Cosmology 2021

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figurative

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graffiti art

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street art

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possibly oil pastel

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oil painting

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acrylic on canvas

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street graffiti

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urban art

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painting painterly

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portrait art

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digital portrait

Curator: This intriguing artwork by Iwo Zaniewski, created in 2021, is titled "Prof. Krzysztof Meissner and Sir Roger Penrose working on Conformal Cyclic Cosmology." What are your initial impressions? Editor: Well, visually, it's quite busy! The layering of color gives a slightly restless feel, but there's also something very grounded about the domestic setting. The light feels warm. Curator: Yes, Zaniewski creates a sense of intimacy within the space. I am drawn to the numerous symbolic details dispersed around the painting: recurring geometric shapes, scattered papers on the floor, what appear to be esoteric cosmological drawings... it almost resembles a carefully curated dreamscape. Editor: The presence of the chalkboard and the stacks of books definitely evokes a learned atmosphere, almost that of a classic 'intellectuals at work' depiction, and the two men represented cement that theme. I wonder, though, about accessibility: Does it succeed in broadening science appreciation to the public? Curator: I think the accessible elements include familiar symbolic representations – we understand stars, papers as signs of study and work, equations on a blackboard. Together, they create a powerful symbolic representation of intellectual labour that resonates, regardless of whether you fully grasp Conformal Cyclic Cosmology. Zaniewski translates esoteric science into symbols we instinctively respond to, fostering intellectual curiosity in everyone, not just the expert. Editor: Interesting. The symbolism does pique my interest. What truly catches my eye are the political elements - or perhaps, the lack thereof. Given the complex socio-political climate surrounding scientific research and its funding in 2021, isn’t it noteworthy that such topics remain unaddressed? Curator: I'd suggest it's not an intentional omission. I think the artist focuses on an internal, cerebral, even timeless realm, abstracting them from particular debates. Editor: Perhaps, perhaps not. Nevertheless, Zaniewski’s decision sparks discussions on science's positioning within today's society. Curator: I think that regardless of one's perspective on it, Zaniewski prompts consideration of what remains fundamental. Editor: Well, thank you for helping me to contextualize those ideas. It definitely enriches one's encounter with this symbolic portrayal.

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