Spyes in Hotel 

Iwo Zaniewski’s painting “Spyes in Hotel” depicts a seated couple, likely made in the late 20th or early 21st century. The painting evokes a sense of detached observation. The figures are dressed in formal attire reminiscent of an earlier era, which contrasts with the casual beach setting visible through the window. The woman, in her dark suit and sunglasses, and the man with his newspaper, embody a sense of surveillance. One wonders, what do they see, what do they know, and what don't they know? Zaniewski here plays with the themes of privacy, performance, and power. The 'hotel' setting could be a liminal space where identities are obscured and social norms are suspended. The painting captures a moment of quiet tension, inviting us to reflect on the hidden dynamics within seemingly ordinary interactions. It highlights the ways in which we all perform roles, and the unease that comes with being watched, or watching others.