Portret van Leendert de Koningh by Coenraad Hamburger

Portret van Leendert de Koningh 1819 - 1871

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drawing, pencil, graphite

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portrait

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drawing

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figuration

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pencil drawing

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pencil

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graphite

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portrait drawing

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realism

Dimensions height 98 mm, width 72 mm

Curator: This drawing, "Portret van Leendert de Koningh," comes to us from the nineteenth century, specifically between 1819 and 1871. It’s crafted using graphite and pencil by Coenraad Hamburger. What strikes you first about it? Editor: There's a real... seriousness. An earnestness. He’s looking directly at you, almost pleading. It feels incredibly intimate, like you've stumbled into a very personal moment, despite the classic portraiture style. Curator: Exactly, the realism really emphasizes a desire to accurately depict an individual, but let's look closer at the materials. We see paper, pencil, and the hand of the artist transforming base elements into what we see before us, which functions not only as an object but also a record of material culture in artistic practice. Editor: Yes, it is interesting. But consider also that perhaps Hamburger wasn’t just crafting a portrait; maybe he was also capturing a certain type of stoic ideal that prevailed then. I feel a deep sympathy, you know? He's there, on the page, etched by lead, a phantom echo of a human experience. Curator: I am not certain. The lines show remarkable control for pencil work. His command of the graphite speaks volumes about his skill but what about access to pencils in general? The societal context that gives rise to the conditions in which these pieces are even made is a crucial, and the drawing gives great insight to how labour manifests physically and how that reflects production costs. Editor: A point well-made. Despite it all, and despite the obvious time that has past since he last lived, I can imagine Koningh musing quietly, just beyond reach of these very same pencil marks. What of his daily toils or triumphs? There is such quiet fortitude. It's quite beautiful and deeply moving. Curator: Ultimately, we can appreciate the interplay of material, process, and subjective expression, deepening our engagement with this striking artwork. Editor: Agreed. Every line, every smudge carries a whisper of the past. A lovely way to remember, or at least, imagine.

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