print, engraving
portrait
baroque
history-painting
academic-art
engraving
Dimensions height 210 mm, width 149 mm
Editor: Here we have Laurent Cars’ 1726 engraving, “Portret van Hermangard d’Asp.” It has such a formal, almost imposing quality. He looks quite stern, draped with what seems to be an insignia or heraldry, surrounded by all this lettering... what do you make of it? Curator: The symbols are indeed powerful. The Maltese cross prominently displayed signals Hermangard d’Asp's allegiance. Notice how the cross, usually associated with sacrifice and faith, here sits on what could be armor, reflecting secular power and authority of the knights. How does the layering of these symbols speak to the Order's purpose? Editor: So, it's not simply about religious devotion but about the exercise of temporal power? Curator: Precisely. The symbols intertwine the sacred and secular roles, hinting at both spiritual guidance and the use of armed force. Notice the oval frame; this common trope in portraiture suggests preservation and memory, reinforcing the notion that Hermangard is an iconic figure embodying lasting values and characteristics the Order found important. Does that symbolism speak differently today? Editor: I think today the symbols may make us feel more conflicted because these days power and religion are always uneasy bedfellows, unlike during this period. Thank you, this really gave me a new way to appreciate the art. Curator: Indeed. By understanding the symbology we gain insight into the cultural memory the portrait intended to perpetuate. It becomes more than just a likeness, doesn't it?
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