Sol 1597

Curator: Looking at this image, the first thing that strikes me is the almost ethereal quality, even with such clear, crisp lines. Editor: That's a fantastic observation. The engraving we're observing is entitled "Sol" made around 1597 by Jacob Matham. Matham was a Dutch printmaker, known for his skill with the burin. Curator: And Sol, of course, refers to the Roman name for the Sun God, often depicted as Apollo in Greek mythology. Seeing him poised with the bow and arrow reminds us of his power, but the light seems to soften his appearance, almost suggesting a moment of calm before action. I wonder what would the socio-political environment during Matham's time impact his aesthetic choice? Editor: I’d wager quite a lot, Jacob Matham would likely consider himself an interpreter. The visual symbolism is rich. The laurel wreath, of course, symbolizes victory and status, reinforcing Sol's elevated position. His stance, with the bow, not taut with energy as you may have suspected, implies the dawn of an era, with sunlight piercing through darkness, much like when a new leader claims a space or rises from past defeats. It would surely signal optimism or divine right of leadership! Curator: You're right about the divine leadership claims! It could definitely align with Matham's cultural setting. I see he also incorporated cosmological elements into the frame—figures alluding to celestial influence, like the blazing sun, the lantern and even the figures with possible Zodiac ties... Are they meant to amplify the notion that Sol embodies cosmic order? Editor: Absolutely. The zodiac is an integral part, so a cultural continuity marker—almost saying the Sun God, or sun, represents something deeper about cosmic balance, order, that permeates the subconscious of all culture. Also a little detail some may have missed; his eyes do not follow any external target. It faces us as if saying 'see?' 'behold?' Almost suggesting he is bringing awareness to those in slumber, if you would. Curator: I appreciate how you’ve interpreted that look; it gives the print an intentional agency that would appeal to contemporary patrons and its impact. Editor: And you've situated it perfectly within its historical setting, to help appreciate it beyond simple representation. A lovely print to ponder upon.