Johannes Mulicum, Infirmarian of the Cistercian Monastery at Kamp near Neuss [obverse] 1540

Editor: Here we have a metal medal from 1540, sculpted by Friedrich Hagenauer. It's titled "Johannes Mulicum, Infirmarian of the Cistercian Monastery at Kamp near Neuss." The relief is quite striking! The subject looks very contemplative. What do you see in this piece? Curator: It whispers of the Renaissance spirit to me, don't you think? It’s an intimate portrait frozen in time, a chance to stare directly at a man from centuries ago. Hagenauer truly captures a particular dignity in Mulicum's profile. What stories do you think his face tells? Editor: I can sense that dignity, yes! It also feels… official. Do you think these medals were common ways to commemorate individuals at the time? Curator: Absolutely! These portrait medals were all the rage back then, like little bronze selfies! They signified status and memory, immortalizing the sitter. This one’s especially cool because Mulicum was an infirmarian – a caregiver, not necessarily someone of nobility, right? That hints at a broadening of who was deemed worthy of such a commemoration. Editor: So, it's saying something about the value of care and service in that society, too! Was metalwork common for medals? Curator: Brass and bronze were favored because they were relatively affordable and durable, perfect for circulating or keeping as keepsakes. The patina adds this tangible sense of history, I almost want to rub it, just to connect. Do you feel the same way? Editor: It makes you wonder who held it! I learned so much about both the artistic practices and social values of the time! Thank you for your thoughts. Curator: And I am reminded how art transcends time. The simple act of bearing witness – Mulicum's story continues because Hagenauer carved him. What a beautiful thought, yes?