Altobello Averoldo, c. 1468-1531, Bishop of Pola, Thrice Governor of Bologna [obverse] 1523 - 1524

Antonio Vicentino created this bronze medal of Altobello Averoldo in the mid-16th century. Notice how the circular form frames a stern profile. Its subtle gradations of light and shadow give volume to the Bishop's figure, set against a flat background. The inscription forms another concentric layer, binding the composition together. The structure here is based on the dialectic between the central figure and its textual frame, typical of Renaissance portrait medals. The circular format creates a sense of self-containment and completion. Yet, this controlled symmetry also highlights tensions. Look at the details of the Bishop's face. These small imperfections disrupt the classical ideal of beauty, bringing forth a sense of individuality. Ultimately, the medal operates within a complex system of signs. The text, image, and material combine to produce meaning. It immortalizes Averoldo, while also prompting broader reflections on power, representation, and the very nature of identity. The medal is a historical artifact, but its formal qualities ensure its continued relevance.