Seashell, from the Miniature Novelties series (N120) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco 1891
drawing, print
portrait
drawing
toned paper
art-nouveau
figuration
art nouveau
decorative-art
Dimensions Sheet: 2 1/2 × 4 1/4 in. (6.3 × 10.8 cm)
Curator: This is “Seashell” from the Miniature Novelties series, printed by Duke Sons & Co. around 1891 as a promotional item for Honest Long Cut Tobacco. Editor: Oh, look at this—it’s got such a whimsical, delicate charm! I'm immediately thinking of a Victorian daydream, like stepping into a storybook for little girls. The overall effect is charming. Curator: Charm is definitely at play here. Observe how the symmetrical composition positions two female figures within decorative seashells against an ornate background. Semiotically, the seashell is intriguing as a motif traditionally linked with femininity and also representative of Venus, Roman goddess of love, drawing connections between beauty, sensuality, and of course, commercial appeal. Editor: Yes! I love how those pastel hues – the faded rose, the soft beige – all work together. It’s like they’re trying to recreate the soft shimmer of a pearl! It's interesting seeing portraiture used to promote tobacco; these pretty faces certainly grab your eye. And the Art Nouveau style makes it look quite elegant for an advert. Curator: Indeed. The piece exemplifies the aesthetic principles of Art Nouveau, characterized by its emphasis on organic forms, intricate detailing, and an elegant, flowing linearity. The choice of a toned paper contributes to the softening of edges and contours in addition to highlighting the aestheticization of advertising strategies in a time of mass industrialization. Editor: It also gives this image an intimate feeling, a world away from the masculine branding we might expect to be linked with tobacco. It feels a bit rebellious, subverting our expectation. Curator: Certainly, it seems to defy expectations. In viewing “Seashell,” it prompts one to examine advertising methodologies alongside their intersections of consumer desire and cultural associations within art production itself. Editor: What’s intriguing to me is seeing the use of beauty as a hook – even a hundred years plus later – this piece is seductive and quietly asks to be possessed. A beautiful and cunning item.
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