Autumn 1644

Wenceslaus Hollar made this print, Autumn, in the 17th century using etching. During this period, the print market served to disseminate images widely, contributing to the construction of social identity through fashion. This image, part of a series representing the four seasons, embodies specific cultural references. Made in England during a time of shifting social structures and the rise of a merchant class, the print showcases the attire of an upper-class woman. Her clothing and posture signals status and sophistication. The attention to detail in the lace and fabric textures reflects an interest in material culture and the visual codes of social standing. By studying costume books, portraits, and other visual sources, we gain a deeper understanding of how individuals in the past used clothing and appearance to negotiate their place in society. The historian’s role is to decode these visual cues and shed light on the complex interplay between art, fashion, and social identity.