Two Handled Preserve Crock 1936

Curator: This is Jerome Hoxie's "Two Handled Preserve Crock," created in 1936. What strikes you initially about this piece? Editor: Its earthiness. The colors, the slight imperfections—it speaks of utility, of everyday life rooted in very tactile experiences. It’s an almost loving depiction of a mundane object. Curator: Hoxie’s choice to represent this crock, rather than, say, a more elevated subject, does make you wonder. During the Depression era, we see artists grappling with representing American life, and often turning to the humble and familiar. Editor: Exactly! This isn't about grand narratives; it's about celebrating the craftsmanship embedded in simple, functional objects. You can imagine the labor involved in crafting a ceramic piece like this—the clay, the shaping, the firing... Curator: And preserving! Jams, pickles... This isn't just a crock; it's a vessel holding sustenance and community traditions, a powerful symbol of survival during harsh economic times. It's a poignant statement through the everyday. Editor: Absolutely. Also, consider the watercolor. A less precious medium highlighting a ‘low brow’ subject matter is pretty radical. I like that there’s something inherently democratic about both the jar itself and its representation. Curator: I agree, and it offers a glimpse into the social function of art, how artists position themselves relative to societal needs. It reflects the public sentiment during the Depression, a desire for authenticity, perhaps even a bit of nostalgia for simpler times. Editor: It certainly forces one to reconsider the value we assign to ‘art’ versus ‘craft,’ especially when you look at the history of labor and the materials used. Curator: A piece to keep considering. Thank you for these perspectives. Editor: Thanks. Looking at the image reminded me that everything holds value if one is open to it.