Preserving Jar by Frank Maurer

Preserving Jar c. 1936

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drawing, ceramic, watercolor

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drawing

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ceramic

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watercolor

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ceramic

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charcoal

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realism

Dimensions overall: 35.8 x 25.4 cm (14 1/8 x 10 in.) Original IAD Object: 10 1/2" High

Curator: What strikes me immediately is the humility of the subject—a simple jar rendered with such care. Editor: Indeed. Frank Maurer created this work, entitled "Preserving Jar," around 1936. It's a compelling drawing that combines watercolor and charcoal. For Maurer, such depictions of everyday objects served a larger cultural purpose. Curator: How so? I sense a quiet dignity here, but can you elaborate on its socio-political context? Editor: During the 1930s, realism in art was often aligned with social commentary. Think about the Regionalist movement; there was a fascination with capturing the American experience, often celebrating the working class. Representing humble, domestic items elevates the contributions and lived realities of ordinary people, positioning them as valuable subjects of art. Curator: It makes me think of labor, and specifically, women's labor—the preservation of food, a vital act of care and sustenance, mostly done by women who were rarely recognized during that period. It feels almost subversive in its quiet celebration of this domestic sphere. Editor: That's a wonderful reading. Maurer himself likely considered the public role of imagery during this turbulent time. There's an understated power in how he chose to portray this jar, imbued with potential—filled with fruits, vegetables, preserved for future sustenance. This piece operates almost like a visual document, recording a vital facet of working-class existence. Curator: Even the roughness of the jar's surface, captured through the artist's combined use of charcoal and watercolor, speaks to a lack of polish and ease. It acknowledges the struggles that accompanied these labors, yet maintains the inherent strength of that activity. Editor: Precisely. The very act of creating this artwork challenges notions of who and what is worthy of artistic attention. It becomes a potent statement. Curator: Well, I came here thinking that the piece was simply well-executed but ordinary. Thanks to our discussion, I leave here appreciating how Maurer transformed a simple preserving jar into a strong claim on cultural visibility. Editor: And for me, seeing how this image prompts questions about gendered labor—and the way we see the everyday – adds layers of context to Maurer’s decision to elevate it to the level of fine art.

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