Saint John 1485 - 1499

Neroccio de' Landi crafted this bronze sculpture of Saint John during the Italian Renaissance. John is depicted with his hand raised to his face. This gesture has roots in antiquity, signifying contemplation, grief, or repentance. In medieval art, we see similar gestures used to denote deep thought or mourning. Think of the depictions of Mary Magdalene at the foot of the cross, a poignant expression of sorrow. This motif transcends religious contexts as well; in classical sculpture, philosophers are often shown with a hand to the face, embodying intellectual pursuit. The gesture evokes a powerful, subconscious connection. It speaks to the universal human experience of introspection and emotional depth. In Saint John, this invites us to contemplate his spiritual journey, thus becoming a mirror reflecting our own moments of reflection and understanding. The non-linear journey of this symbol shows how the gesture endures, constantly reshaped by the ever-changing tapestry of human experience.