Sara the Bather 1885

Henri Fantin-Latour created this lithograph, Sara the Bather, in the late 19th century. The Belle Époque was a period of optimism and innovation in Europe, yet it was also a time defined by strict social norms and expectations, particularly for women. Here, we see a nude woman reclining in a hammock-like structure, surrounded by lush foliage. The print is a study in contrasts, the darkness of the surrounding forest against the light of the woman's body. Fantin-Latour was known for his symbolist style, which often explored themes of dreams and the subconscious. His work challenged academic conventions through his use of sensual, dreamy imagery. The model's relaxed pose and apparent comfort in her own skin contrast with the restrictive corsets and societal expectations of the time. While Fantin-Latour's work can be appreciated for its aesthetic qualities, it also serves as a reminder of the ongoing struggle for women to be seen as fully human, with the right to inhabit their bodies as they choose.