Inner Eye (Maquette III) by Lynn Chadwick

Inner Eye (Maquette III) 1952

0:00
0:00

Dimensions: object: 286 x 152 x 102 mm

Copyright: © The estate of Lynn Chadwick. All Rights Reserved 2010 / Bridgeman Art Library | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Here we have Lynn Chadwick's "Inner Eye (Maquette III)," a small sculpture, part of the Tate Collection. It's intriguing, wouldn't you agree? Editor: Absolutely, it evokes a powerful sense of the primitive. The dark metal contrasts sharply with what looks like a crystal eye, set within a cage. Curator: Chadwick's work often explored the interplay between organic and geometric forms. The "eye" motif recurs throughout his oeuvre, symbolizing perception and interiority. Editor: And the metal framework – is it meant to protect or imprison? It raises questions about the societal gaze and individual freedom in the post-war era, doesn't it? Curator: Precisely! The bars suggest a structure – of society, perhaps – shaping inner vision. The eye seems to struggle for clarity within that structure. Editor: Chadwick’s piece serves as a potent reminder of the enduring tension between the individual and collective experience. Curator: Indeed. A fascinating look into the relationship between the outer world and the inner self, and the symbolic power of the eye.

Show more

Comments

tate's Profile Picture
tate 10 months ago

http://www.tate.org.uk/art/artworks/chadwick-inner-eye-maquette-iii-t01226

Join the conversation

Join millions of artists and users on Artera today and experience the ultimate creative platform.

tate's Profile Picture
tate 10 months ago

Chadwick made a series of works like this on different scales; the largest is 90 inches (228 cm) high. It stands a little like a human figure or an animal but resists any direct association with a particular living creature. It is brilliantly ambiguous in its suggestive forms: the iron rods could be seen as ribs or as some sort of cage. The chunk of glass gives it a mystical or ritualistic feel, while its title suggests a psychological dimension. Gallery label, September 2004