Gezicht op een dubbele poort in de zuidelijke muur en een gezicht op de westelijke muur bij de zuidwestelijke hoek, van de Tempelberg in Jeruzalem by James McDonald

Gezicht op een dubbele poort in de zuidelijke muur en een gezicht op de westelijke muur bij de zuidwestelijke hoek, van de Tempelberg in Jeruzalem before 1865

photography, gelatin-silver-print

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landscape

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photography

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coloured pencil

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ancient

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gelatin-silver-print

This photograph by James McDonald captures the Temple Mount in Jerusalem. The stones of the wall are loaded with historical weight. The gate, a potent symbol across cultures, here stands as a profound architectural motif. The gate is not merely an entrance, it's a threshold. A transitional space seen in ancient Mycenae’s Lion Gate, or the Ishtar Gate of Babylon. Each embodies not just passage, but also protection and power. They have evolved across time, from defensive structures to ceremonial entrances, bearing witness to shifts in societal values and power dynamics. Consider how the simple act of passing through a gate engages our collective memory. It evokes a sense of leaving one state and entering another. Subconsciously, it stirs feelings of anticipation, the unknown, and even vulnerability. McDonald's photograph captures more than stone; it captures this psycho-spiritual passage. These symbols are not static, but cyclically resurface across time. They evolve, adapt, and continue to resonate within our shared cultural consciousness.

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