Dame met uil en wapenschild met de letters AN by Meester van het Amsterdamse Kabinet

Dame met uil en wapenschild met de letters AN 1483 - 1487

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drawing, print, ink, engraving

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portrait

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drawing

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medieval

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allegory

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print

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figuration

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form

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ink

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line

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northern-renaissance

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engraving

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miniature

Dimensions: height 124 mm, width 85 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have *Dame met uil en wapenschild met de letters AN*, an engraving by the Master of the Amsterdam Cabinet dating back to the late 15th century. It has a very graphic quality with detailed linework, but its content feels mysterious to me. How do you interpret this work? Curator: It’s a fascinating print! This image opens a window into the social dynamics of the late medieval, early Renaissance period. Let's consider the symbols: The owl traditionally represents wisdom, yet, how might it function here? The coat-of-arms indicates nobility, family, legacy, while the woman is integrated to the symbolism; doesn't it make you wonder about gender roles within the aristocracy at the time, what power she might wield? Editor: I never thought about that, focusing instead on how ornamental the coat-of-arms seems to be, with those music-like symbols surrounding it. The woman looks somber, not as decorated. Curator: Right, but observe the gaze; does it communicate assertiveness? Her posture, in contrast to the owl perched on the helmet—symbol of masculine military prowess—might hint at different modes of authority or social standing at the time. Remember also the historical backdrop; rising merchant class, evolving social hierarchies. Do you think this context would help read the imagery? Editor: That is so interesting. I was completely caught up on the individual aesthetic elements but didn’t think about the person’s relationship with society or their time. So much for thinking it was simply ornamental, the image appears like a whole political discourse. Curator: Precisely. Looking through a lens of power dynamics, suddenly the "ornamental" becomes incredibly charged, don't you think? Editor: Yes, definitely. This piece gave me a whole new framework to interpret the image!

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