Vrouw schrijft aan tafel in bijzijn van Minerva en Faam met loftrompet 1643
engraving
portrait
allegory
baroque
genre-painting
history-painting
engraving
Dimensions height 128 mm, width 89 mm
Curator: Looking at this engraving, it’s hard not to see a narrative bursting forth. Editor: Yes, it has an intriguing stillness despite all the symbolic action happening. Curator: This piece is entitled "Vrouw schrijft aan tafel in bijzijn van Minerva en Faam met loftrompet", or "Woman writing at a table, in the presence of Minerva and Fame with a trumpet," created by Cornelis van Dalen I in 1643. The work currently resides here at the Rijksmuseum. Editor: I see the woman centered, confidently poised with her quill. The muted tones of the engraving lend a weight, an historical grounding to this… allegorical representation. Curator: Note how Minerva, goddess of wisdom, stands guard over her. And above her soars Fame, proclaiming 't Lof der Vrouwen – 'the praise of women.' It speaks volumes about the intellectual and social currents of the time, wouldn't you say? Editor: Absolutely. It places this woman writer within a lineage of knowledge and acclaim. But there's also a very domestic feel here, even within all the classical trappings, no? The musical instruments, the globe. It all feels like carefully arranged... stage props. Curator: Indeed. Van Dalen expertly uses these symbolic elements to frame the woman as a learned figure worthy of renown. Look how even the architectural background is almost completely orthogonal in opposition with the swirling robes. The light falling on her reinforces this image of intelligence and achievement, it's so clever. Editor: Right, though it also reveals how constructing a woman’s reputation involved, perhaps, curating a very specific image for a society that had very strong gender norms. Still, it presents a hopeful glimpse into the space that a woman might occupy and wield influence in 17th century Dutch culture. Curator: Precisely. It’s a powerful example of Baroque-era printmaking being used to carve out both an image and a space in the cultural memory. Editor: A lot to digest and to reflect upon, thank you for that very rich exploration. Curator: My pleasure. It always surprises me what visual breadcrumbs these artisans leave to consider in light of our times.
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