Portret van Mathhaeus Merian by Johann Friedrich Schmidt

Portret van Mathhaeus Merian 1704 - 1765

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drawing, print, paper, engraving

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portrait

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drawing

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baroque

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print

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old engraving style

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paper

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engraving

Dimensions height 287 mm, width 172 mm, height 149 mm, width 105 mm

Curator: We're standing before Johann Friedrich Schmidt’s “Portret van Mattheaeus Merian," an engraving created sometime between 1704 and 1765. Editor: My first thought? Intense. It’s like a meticulously rendered face emerging from a chaotic halo of hair. The eyes particularly grab you. Curator: Yes, that's typical of baroque portraiture. The eyes become the focal point, drawing the viewer into the subject's character. In terms of iconography, this isn't just a portrait; it's an assertion of status and intellect. Look at the inscription—Latin, naturally. It all adds to this image of a learned and respected man. Editor: The frame itself is fascinating – architectural, with that rather severe "POST FUNERA VIRTUS" inscription. Virtue survives death. Gives the whole thing a feeling of enduring legacy. Almost a need for remembrance...morbid but magnetic. Curator: It speaks to the Baroque obsession with mortality, but also the period’s profound belief in legacy, of living beyond death through your work and reputation. The symbols work to solidify the narrative and underscore a sense of importance. What I find quite poignant, and somewhat unsettling, is how such an incredibly detailed process immortalises an image in paper and ink that may last longer than memory. Editor: Precisely. Schmidt here manages to bottle this powerful sense of permanence. Even now, centuries later, that feeling lingers. I like how the frame has this classical, structured design while Merian’s wild hair hints to a mind unbound. It’s really something. Curator: Yes, a very potent way to solidify meaning to an individual through their portraiture, with all these well-conceived Baroque era techniques. What are your overall thoughts about this piece? Editor: It gives a strange sensation of voyeurism and a bit of sorrowful introspection on the impact a person can make on history – a shadow looking at another shadow. Quite a lot to digest. Curator: Indeed, these visual dialogues help us contemplate the weight of representation across time and place.

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