Opera Nova Universali intitulata Corona di racammi, page 29 (verso) 1530

This is page 29 from Giovanni Andrea Vavassore’s embroidery pattern book, printed in Venice sometime in the mid-16th century. It’s a humble object, made from paper and ink, yet speaks volumes about the material culture of the Renaissance. The patterns here are quite architectural, organized within a strict grid. This would have been incredibly helpful to an embroiderer, providing clear instructions for creating complex designs. The grid system is also reminiscent of weaving drafts, underscoring the close relationship between different kinds of textile production. Consider, too, the social context in which this book would have been used. Embroidery was a widespread accomplishment, and pattern books like this one democratized design. No longer did one need to be wealthy to access the latest styles; with a little skill and patience, anyone could create beautiful textiles. This speaks to the blurring of lines between the fine and decorative arts, and the role of printed media in shaping taste and fashion. Vavassore’s book offers insight into the world of craft and its connection to wider social issues.