Altar of Santa Cristina al Tiverone, bezels crowning of the main board: Angel Pietà by Lorenzo Lotto

Altar of Santa Cristina al Tiverone, bezels crowning of the main board: Angel Pietà 1505

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painting, oil-paint

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portrait

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narrative-art

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painting

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oil-paint

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figuration

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jesus-christ

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neo expressionist

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arch

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christianity

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mythology

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human

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history-painting

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italian-renaissance

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angel

Dimensions 90 x 179 cm

Curator: Lorenzo Lotto's "Angel Pietà," an oil painting completed in 1505, forms part of the bezels crowning the main board of the Altar of Santa Cristina al Tiverone. Editor: It strikes me as deeply somber; the restricted color palette emphasizes a palpable sense of grief. The curve of the arch feels like a protective embrace, highlighting the materiality of mourning. Curator: Lotto was very interested in capturing raw, complex emotion. Notice how Jesus's slumped posture is framed by the angels. This isn't just religious iconography; it’s a very deliberate attempt to convey profound sorrow and human suffering within that religious context. Consider how the painting acts as an expression of identity in the early sixteenth century, specifically devotion within Christian doctrine and how such artistic creations gave both patron and viewer alike a public declaration of these identities. Editor: The limited palette focuses attention on the body and its vulnerability. Oil paint lends itself so well to depicting texture, and here, it really enhances the realism. I’m intrigued by the actual crafting process – the underpainting, the layering of pigments. Were these local materials? Who ground the pigments, mixed the oils, prepared the panel? That labor matters to this work. Curator: It definitely forces us to grapple with questions of labor and value within religious artistic production. Lotto moves away from the idealized perfection of some High Renaissance depictions. The vulnerability that you touched upon in Christ’s form highlights the suffering associated with marginalized bodies. He’s stripping away the divine to reveal a profoundly human tragedy and in doing so challenges preconceived social roles of those from differing levels of society, placing at its center a powerful empathy to what once would have been ignored in theological discourse. Editor: It reminds us of art’s connection to both earthly materials and ethereal ideas. From the wood supporting the painting to its pigments sourced locally, Lotto connects viewers to specific conditions of creation and human labor while speaking to higher moral purposes. Curator: Exactly! "Angel Pietà" captures a complex interplay of piety, social dynamics, artistic labor, gender roles and intense human emotion. Thank you for allowing us to reframe it with all these rich intersections in mind. Editor: My pleasure! And thank you for encouraging that consideration of artistic and devotional context with an eye toward all that makes it physically, politically, and morally meaningful.

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