Terras met wijnranken in Sintra by Sir Francis Seymour Haden

Terras met wijnranken in Sintra 1877

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drawing, etching, ink, pencil

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drawing

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ink drawing

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pen sketch

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etching

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pencil sketch

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landscape

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ink

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pencil

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realism

Dimensions height 150 mm, width 226 mm

Curator: Looking at this etching by Sir Francis Seymour Haden from 1877 titled "Terras met wijnranken in Sintra," I am struck by the quiet intensity it conveys. Editor: Oh, yes, immediately I see that too; that hazy almost dreamlike quality that belies a deeply rooted sense of place. It's quite melancholic actually, as if captured through the filter of memory. Curator: Precisely! The Rijksmuseum holds this drawing as an insightful example of how Haden played with line and texture to evoke the atmosphere of Sintra, a region celebrated for its natural beauty, which itself became contested in relationship to burgeoning aristocratic tourism. Editor: I find the composition particularly interesting. The rough-hewn rocks in the foreground, those textures and those precarious structures reaching out into the landscape...they suggest both a raw, untamed landscape and a cultivated space, those "wijnranken", the wine vines. It’s all beautifully unbalanced in a compelling way. What strikes me is the lack of sentimentality here; there are certainly some gorgeous visual and scenic things to drink in, but at the same time the austerity really grabs hold. Curator: A point well taken. It hints at the tensions in 19th-century landscape art, that push-and-pull between the idealized and the real. The sketch aesthetic here is also part of a movement, it doesn’t attempt to reproduce photo-realism but instead, prioritizes a sensitivity to the landscape and a raw aesthetic interpretation that might have even felt "shocking" for many people at the time. Editor: I get the feeling that Haden saw not just what was beautiful, but also what was changing. There is a historical narrative woven in here between natural forces and man’s influence on them. It reminds me to cherish those moments where untamed beauty lingers. Curator: Yes, looking closer I too now have a sense of its powerful evocation. I hadn't originally seen it. Thank you for prompting me to engage in a deeper viewing experience. Editor: That is always what the goal is, right? To facilitate more nuanced and engaged understandings, and for all of us to appreciate all the layered experiences here with Haden in Sintra.

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