Tray 1740 - 1750

Editor: This beautiful porcelain tray and canister were created by the Meissen Manufactory sometime between 1740 and 1750. The vibrant blue and gold are so striking. It feels incredibly luxurious, doesn’t it? What stands out to you when you look at this piece? Curator: The most arresting feature is its use of the "fleur-de-lis," not simply as decoration, but as a signifier of power and affiliation. Consider its prevalence here. What psychological effect does this repetition have, especially paired with such delicate, almost whimsical, insect paintings? Editor: It’s interesting to think of those contrasting elements working together. It almost makes the fleur-de-lis feel less...stuffy? Like it's part of a pattern, not just a symbol of royalty. Curator: Exactly. It speaks to the evolving relationship between the aristocracy and the natural world, perhaps reflecting a growing Enlightenment-era fascination. Does the presence of insects, seemingly inconsequential, diminish or enhance the power dynamic implied by the fleur-de-lis? What do you think they represented to the commissioner? Editor: I hadn't thought of that, it is almost like the aristocracy is embracing nature and making their emblem appear softer with the landscapes and insects. Curator: Indeed, such juxtapositions speak volumes about the cultural memory embedded in these objects. Symbols evolve and shift in meaning, often revealing fascinating contradictions. Do you find this tension makes the piece more intriguing? Editor: Absolutely. It's made me see how even seemingly decorative items can be packed with complex historical and cultural information. Thanks! Curator: My pleasure. It's through these symbolic readings that we connect with the past and enrich our understanding of the human experience.