oil-paint
abstract expressionism
oil-paint
figuration
oil painting
neo expressionist
neo-expressionism
abstraction
abject-art
nude
In Carmen Delaco’s "Born II", we are confronted with a figure suspended upside down, evoking a visceral sense of vulnerability. This is a pose reminiscent of the Hanged Man in Tarot or even the crucifixion of Saint Peter, each suggesting sacrifice and a world turned on its head. The act of being suspended invites contemplation of the cyclical nature of life and death. Consider the image of crucifixion in religious art – a symbol of both profound suffering and transformative rebirth. Here, the artist delves into the psychological weight of new beginnings, a powerful force engaging us on a subconscious level. This visual echo resonates through history, finding itself in myriad forms, from religious iconography to modern expressions of existential angst. Its appearance here reminds us that such symbols are never truly lost, but rather continually resurface.
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