Les boursicotières. Me trouvez-vous bien ... c. 19th century

Curator: This lithograph, dating from the 19th century, is by Honoré Daumier and is titled "Les boursicotières. Me trouvez-vous bien ...." which translates roughly to 'The Stock Exchange Women. Do you find me well...' Editor: Well, the title has a clear satirical bite, but initially, it feels strangely neutral in tone. There's an almost scientific detachment in the observation of these figures. The stark lines and shading, however, amplify their awkward poses and expressions. Curator: Absolutely. Daumier was a master of social critique. Consider the context of the emerging bourgeoisie during the 19th century and the way Daumier situates these figures, perhaps gender non-conforming, within the powerful setting of the stock exchange. Are they critiquing and mocking them? Editor: Indeed. The top hats become almost uniform elements, almost like they are mocking societal expectation of men. They’re simplified into shapes, archetypes. Is it suggesting a soullessness? And then the pronounced curves in contrast to the blocky headgear - the symbolic dialogue of masculine versus feminine is almost painfully overt. Curator: And this ties directly into broader dialogues around identity and performance of gender. It appears Daumier encourages us to examine the inherent absurdities within societal roles. Editor: You see this almost detached judgement in play, certainly. Each small choice contributes to a rich, complex view of its subject, making you almost wonder about them. In his almost simple aesthetic of a drawing is an impactful statement on society. Curator: I agree. It pushes us to question how power dynamics and performative identities are intrinsically linked and influence broader social structures. The dialogue Daumier creates allows this interrogation. Editor: Ultimately, Daumier is holding up a mirror, using visual symbols of that time to make timeless observation on society and us. Curator: His critique makes me wonder, are we still struggling with those performative acts and ingrained prejudice even now? Editor: It is hard to look away. I leave with more questions about humanity.