Gezicht op de Gertelbach Wasserfälle by LL

Gezicht op de Gertelbach Wasserfälle 1890s

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photography, gelatin-silver-print

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pictorialism

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landscape

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waterfall

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photography

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gelatin-silver-print

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charcoal

Dimensions height 258 mm, width 355 mm

Editor: This photograph, "Gezicht op de Gertelbach Wasserfälle," was taken in the 1890s. It's a gelatin-silver print housed at the Rijksmuseum, and it presents a dreamy landscape. The blurred details create a very soft and almost painterly impression. What catches your eye when you look at it? Curator: The way the photographer captures the water's motion transforms the waterfall into a symbol of time and change, doesn't it? Waterfalls often appear in art representing purification or the cyclical nature of life. Notice how the bridge cuts across the cascade, a symbol itself of humanity interacting with nature. Does the bridge speak of access or intrusion? Editor: That's an interesting contrast, purification versus intrusion! It does appear quite subtle in this rendition though. I would lean toward access, maybe a metaphor for overcoming obstacles. Curator: Pictorialism often sought to elevate photography to the level of fine art, consciously mimicking painting's aesthetics, just like painting with charcoal. The soft focus lends an air of timelessness, echoing Romantic landscapes which aimed to inspire awe. How does this manipulation of the photographic medium affect your perception of reality here? Editor: The lack of sharp details definitely removes it from a purely documentary realm. I agree, it adds a layer of artistic interpretation, aligning more closely with personal expression. Curator: Precisely. This is not just a record, but a considered presentation intended to evoke emotion. Editor: I learned to look past the initial picturesque beauty to see the layers of symbolism and artistic intent within what I initially considered just a nature scene. Thank you. Curator: And I see how today’s viewer connects nature, manipulation, and photographic intent. Excellent!

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