painting, plein-air, oil-paint, impasto
rural-area
painting
plein-air
oil-paint
landscape
oil painting
impasto
hudson-river-school
genre-painting
realism
James Charles painted ‘Sussex Downs’ with oil on canvas at an unknown date. This landscape painting evokes a sense of rural England, but its display in a gallery implicates it in a more complex cultural landscape. During Charles’s career, there was a growing nostalgia for rural life amidst rapid industrialization. Paintings like this tapped into that sentiment, offering a vision of an untouched, idyllic countryside. But who was this idyll for? The art market catered to a specific, largely urban, audience. So, the painting becomes not just a depiction of the countryside, but an object within a social and economic system. To understand this work more fully, we might look at agricultural policies of the time, exhibition records, or even the artist’s biography. Each piece of research helps reveal how art is always made in, and speaks to, a particular set of social and institutional conditions.
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