Zuiderzeewerken: Wieringermeer, Dijkgedeelte Oude Zeug 10 sept. 1928 by Fototechnische Dienst K.L.M.

Zuiderzeewerken: Wieringermeer, Dijkgedeelte Oude Zeug 10 sept. 1928 Possibly 1928 - 1929

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photography

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photo of handprinted image

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landscape

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photography

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geometric

Dimensions height 90 mm, width 140 mm

Editor: This photograph, likely from 1928 or 1929, is titled "Zuiderzeewerken: Wieringermeer, Dijkgedeelte Oude Zeug 10 sept. 1928" and is attributed to Fototechnische Dienst K.L.M. It depicts a newly constructed dike cutting through water. I'm struck by how geometric the composition is; the sharp angle of the dike contrasts strongly with the fluid water. What do you see in this piece? Curator: Formally, I am immediately drawn to the strong diagonal line created by the dike itself. This linear element bisects the picture plane, generating a palpable tension between the textured surface of the water and the constructed form of the dike. Note the contrast in tonal values: the darker tones of the water serve to emphasize the lighter, almost bleached quality of the dike. Does that resonate with your experience of it? Editor: Yes, absolutely. The tonal contrast really does define the picture. I hadn’t considered the tension that it generates. Is there anything else? Curator: Observe how the photographer uses aerial perspective to flatten the space. There is a lack of strong depth cues, reducing the landscape to an interplay of lines and shapes. Semiotically, this reduction invites us to consider the photograph not just as a document, but as a constructed image. The regular placement of the boats too, provides additional shape and textural complexity to the overall image. Editor: That's fascinating; seeing it as an interplay of shapes really opens it up. The almost calculated arrangement becomes more apparent. Curator: Indeed. It challenges our preconceived notions of landscape photography, pushing it towards abstraction. I'm left wondering about the social and political implications of an artificially structured intervention into nature’s terrain. Editor: I see the picture in a totally different light now. Thank you! Curator: My pleasure. This kind of image rewards a careful, deliberate look.

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