Marie Schou, f. Hansen, kunstnerens første hustru med sit barn by Karl Schou

Marie Schou, f. Hansen, kunstnerens første hustru med sit barn 1897

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canvas

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portrait image

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portrait

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charcoal drawing

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charcoal art

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canvas

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portrait reference

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surrealism

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portrait drawing

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charcoal

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graphite

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digital portrait

Dimensions 81.5 cm (height) x 76 cm (width) (Netto)

Curator: What a tender scene! Karl Schou created this charcoal drawing on canvas, entitled "Marie Schou, f. Hansen, kunstnerens første hustru med sit barn," in 1897. We see a mother holding her child, with what looks like a baby basket in the foreground. Editor: Yes, there's an undeniable softness to the image, enhanced by the medium. The charcoal rendering, verging on grayscale, cultivates a mood of domestic tranquility. What do you make of its subdued presentation, considering it's a portrait of his wife? Curator: It is worth noting that Karl Schou was painting within the established Danish painting tradition that was then transitioning from Golden Age romanticism towards modern realism. While not intended for public exhibition, it shows Schou as an individual undergoing changes in social expectations of gender roles. Editor: That context shifts the picture considerably. The image evokes what Carl Jung might term the "eternal feminine" – a primordial image of nurturing and maternal care that resonates across cultures. A blanket is a powerful image. Curator: The placement of the scene indoors, and inclusion of items such as the curtain or other paintings, serves as an illustration of middle-class Danish comfort at the time. Schou perhaps consciously positions the nuclear family as the cornerstone of society, where the woman ensures domestic comfort. Editor: Certainly. The painting, in its intimate rendering of motherhood, highlights the crucial role women played, or were expected to play, in the societal fabric. The motif of a blanket evokes safety, innocence, but also hidden power. Curator: And one should consider the potential impact this may have had on the museum as an institution. The Royal Collection, today the National Gallery of Denmark, continues to perpetuate these established notions through its very selections of paintings from the period. Editor: I see this artwork then, as an artifact brimming with social, emotional, and symbolic richness. Curator: Yes, Schou offers an intimate window into a family dynamic amidst shifting cultural currents. Editor: Agreed. It's far more than just a familial snapshot, it is a carefully constructed arrangement pregnant with symbolism.

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