En tyrkisk gravplads 1647

This print, ‘En tyrkisk gravplads’ or ‘A Turkish Graveyard’ was made anonymously, using the intaglio process of etching. This involves applying a waxy ground to a metal plate, drawing through it with a needle, and then immersing the plate in acid. The acid bites into the metal where exposed, creating recessed lines. These lines are then filled with ink, and the plate is pressed against paper, transferring the image. The quality of the line is determined by the etcher's skill. Note here the consistent, even line weight used to define the scene, suggesting an accomplished hand. The image depicts a scene of cultural exchange and possible tension. The men in the foreground seem to be Europeans, judging by their dress, in contrast to the Turkish gravestones and the architecture in the background. The making of prints like these allowed images to be widely circulated, contributing to a broader understanding, or perhaps misunderstanding, of foreign lands. The labor of the etcher and printer is thus tied to the wider social issue of cultural representation. This challenges the traditional distinction between fine art and craft, as it is a utilitarian object with significant artistic merit.