Dimensions: support: 156 x 254 mm
Copyright: © The estate of Julian Trevelyan | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is Julian Trevelyan’s etching, Somnambulist I, created in 1937. The composition is dreamlike, almost like a child's drawing of houses, but unsettling. What do you see in this piece? Curator: Well, considering the socio-political landscape of 1937, it is hard not to see the looming threat of war reflected in the unsettling imagery. The title itself suggests a detachment from reality, a society sleepwalking towards disaster. Do you see how these domestic shapes are almost caged? Editor: I see it now. The stark contrast between the whimsical shapes and the ominous atmosphere is striking. Curator: Exactly. And it makes you wonder, what role does art play in times of crisis? To awaken or to lull? It’s a fascinating piece for understanding the public role of art. Editor: I've learned so much! It's amazing how historical context can illuminate a work. Curator: Indeed, it adds another layer to our understanding of Trevelyan's vision.