drawing, paper, ink
drawing
comic strip sketch
pen sketch
hand drawn type
paper
personal sketchbook
ink
ink drawing experimentation
pen-ink sketch
pen work
sketchbook drawing
storyboard and sketchbook work
sketchbook art
Editor: This is "Briefkaart aan Philip Zilcken," possibly from 1918, by Adriaan Pit, using ink on paper. It looks like a handwritten postcard. There's a sense of intimacy about it, like stumbling upon a private correspondence. What captures your attention about this piece? Curator: Ah, this little scrap of paper sings to me of everyday lives amidst the echoes of grand historical narratives. I'm instantly drawn to the immediacy of it. You see, even in times of turmoil, people wrote postcards! Can't you almost smell the ink and hear the scratch of the pen? The sender, A. Pit, probably rushed this note in that informal handwriting, I wonder if the recipient was happy to receive it? Does this glimpse into their exchange inspire a similar sense of excitement in you, I wonder? Editor: Yes, I love the sense of immediacy! I imagine Pit quickly jotting this down. And you're right, it does humanize that period in history in a way that textbooks often don't. The address is even written out. Curator: Precisely! It reminds us that art isn't always about grand pronouncements, but about capturing the fleeting moments, the small human connections that make up the fabric of life. You also feel the joy in receiving the art object too? What would you tell yourself when you read this kind of "historical letter"? Editor: That's a really lovely point. I guess I’m going to stop throwing away letters myself. Thank you, I understand a little better the value of everyday human exchanges and keeping those messages, not just from a design point of view, but on an emotional level. Curator: Exactly! That postcard whispers volumes. A tiny masterpiece of humanness!
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