Dinner fork by Marion Weeber

Dinner fork c. 1965 - 1970

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silver, metal, photography

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silver

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metal

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photography

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food photography

Dimensions: 7 11/16 x 1 in. (19.53 x 2.54 cm)

Copyright: No Known Copyright

Marion Weeber made this dinner fork, along with a set of cutlery, from metal, and without a known date. The forms are modern, clean, and cool. The process of making is clear from the ribbed handles – you can tell how the tool was dragged along the metal. I love the anonymity of design. A piece of cutlery is not precious in the same way a painting can be. But the shapes are so satisfying! The way the tines of the fork taper to a point, or the simple curve of the spoon. It's interesting that Weeber chose to emphasize the tool marks in the handles rather than polish them away. There’s a kind of unpretentious honesty in this. It’s about function and process. It reminds me of Bauhaus design, where things were stripped down to their essential form. It invites you to think about utility and beauty as going hand in hand. Like art, design is about making choices.

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minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

Marion Weeber was an independent American industrial designer who attended the progressive art school run by the Art Students League of New York. She worked for several prestigious firms including Cartier, Ekco, and Samuel Kirk & Son, but eventually opened her own design firm in Manhattan in 1939. She holds over twenty-five patents for her innovative and inventive designs. "Classic Column" is perhaps the most storied of Weeber's fifty-plus flatware designs. It was selected by the U.S. Commission for Design Excellence for the American Pavilion at the 1967 International and Universal Exposition in Montreal. Precise and polished geometric forms reflect an American industrial aesthetic, exemplifying the forward-looking image the United States wished to present to the world.

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