Wenceslaus Hollar created this print, "Moth and three butterflies," in 1646 using etching. The etched line is the star here; notice how Hollar uses its variable weight to describe the insects’ forms and the textures of their wings. This was not a new technique, but Hollar brought an exceptionally observant eye to the process. Etching allowed for the relatively quick reproduction of images. This speaks to the rising importance of visual communication in the 17th century. Prints like this were collected in albums, acting as a kind of early encyclopedia. Hollar was in effect mass-producing knowledge. The very qualities of printmaking – its reproducibility and accessibility – challenge the traditional distinction between fine art and craft. Instead, they place value on the circulation of information and the democratization of aesthetics.