Geboorte van Willem Frederik, erfprins van Oranje-Nassau 1772

Curator: Here we have "Geboorte van Willem Frederik, erfprins van Oranje-Nassau," or "Birth of Willem Frederik, Hereditary Prince of Orange-Nassau," created by Theodorus Victor van Berckel in 1772. It’s crafted in metal. Editor: At first glance, it evokes a sense of austere celebration, almost cold, despite commemorating a birth. The metallic medium emphasizes that detachment. I am curious as to why? Curator: Indeed. This medallion embodies Neoclassical ideals. The profile bust of the infant prince echoes Roman portraiture, invoking ideas of leadership and legacy from the moment of birth. Notice, on the reverse, the figure of "Public Happiness," a deliberate construct from this period, meant to show the prosperity his birth brought. Editor: I see that rigid allegorical representation. How intentional to portray happiness with such...restraint? Almost a political calculation than joy. Curator: Absolutely. Every element, from the Latin inscriptions – "Spes et Felicitas Reipublicae" which is "Hope and Happiness of the Republic," to the clean, precise lines, serve to connect the young prince to ideas of stability and authority during a tumultuous time in Dutch history. The very selection of metal adds to this. The artist opted for this permanent and lasting medium rather than using pigment, for example. Editor: It’s a fascinating insight. The stark simplicity, devoid of typical celebratory warmth, actually amplifies the political statement. It's as if the medal itself predicts this infant’s pre-determined role, removing any trace of sentimentalism or genuine personal feeling. I can almost touch the coldness. Curator: It speaks volumes, doesn’t it? This isn't simply a commemoration; it's a calculated projection of power and promise. It makes one question what else might be afoot during such celebrations. Editor: It leaves me pondering the true intent. Thank you.