Christ on the Cross with the Virgin and Saints Longinus, Mary Magdalen and John by Hans Baldung

Christ on the Cross with the Virgin and Saints Longinus, Mary Magdalen and John 1505

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drawing, print, woodcut

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drawing

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narrative-art

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print

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figuration

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woodcut

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crucifixion

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italian-renaissance

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virgin-mary

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christ

Dimensions: Block: 9 5/16 × 6 3/8 in. (23.7 × 16.2 cm) Sheet: 9 7/16 × 6 7/16 in. (23.9 × 16.4 cm)

Copyright: Public Domain

Editor: This woodcut, “Christ on the Cross with the Virgin and Saints Longinus, Mary Magdalen and John” by Hans Baldung, created around 1505, is striking in its detail. I am wondering, what do you see in this piece? Curator: The immediate draw for me is the woodcut medium itself. The deliberate and laborious process of carving into wood to create this imagery highlights the work involved in both producing and consuming religious art. Consider the labor: Baldung carefully excised the wood to create both texture and line. Editor: That makes sense. The bold lines definitely create a specific feeling. How do you think the materiality affects its reception? Curator: Well, prints were more widely accessible than paintings, think about the democratization of religious imagery at the time, facilitated by technological advances like the printing press. Woodcuts were relatively inexpensive and quicker to produce compared to other printmaking techniques like engraving. This meant that a broader segment of society could afford religious art, impacting popular belief and religious identity. It’s important to think about consumption and the availability of the material. Editor: I hadn't considered that angle. Does the choice of woodcut impact its function? Curator: Absolutely! It wasn't merely decorative; it played an active role in devotional practices, like prayer and meditation. The material's availability and affordability are intrinsically linked to its broader socio-religious impact. Now, how might this relate to the image, with Christ between a frowning sun and the skull at the base? Editor: Thinking about it now, the stark contrast between light and shadow, made possible by the medium itself, almost amplifies the themes of life and death depicted, reminding the owner of the print of the hard facts. Thank you for enlightening me on this aspect of Baldung’s process. Curator: Indeed! It’s essential to look at the context. Appreciating the process allows one to delve deeper than just a visual interpretation.

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