Gustaaf Willem, baron van Imhoff, gouverneur-generaal van Nederlands-Indië vertrekt uit Amsterdam 1742

This undated silver medal was created by Martin Holtzhey. The coin presents us with two distinct yet interconnected visual fields. On one side, the formal arrangement consists of a profile portrait bust of Gustaaf Willem, framed by a circular inscription. The precision of the lines and the symmetry of the composition evoke a sense of classical order. Turning to the other side, we encounter a complex allegory of departure. Here, the figures are grouped in dynamic poses, with Batavia receiving van Imhoff. The ship in the background suggests movement and transition. Holtzhey employs a visual language that draws upon classical and baroque traditions. The arrangement of figures, the interplay of light and shadow, and the use of symbolic elements all contribute to a layered narrative. Consider how the composition directs our gaze. The arrangement of figures and objects within the frame creates a sense of depth and movement, drawing the viewer into the scene. This medal challenges fixed meanings, inviting us to reconsider the relationship between power, representation, and the colonial enterprise.